What qualities does she look for in a documentary? “I think it’s the same things I look for in a narrative feature, which is a great story well told. I’m not quite sure what to attribute that to, but I think it’s really noticeable.” ![]() But also, the craft of documentary has just become truly exceptional in the past couple of years. I think it’s partly that we’re all trying to broaden the kinds of experiences we can have in our living rooms. “This one is sort of in a class by itself, I think, but yeah, right now, there’s been a real explosion of interest in documentaries. I feel like the ways in which it explores all those layers of conspiracy and duplicity, and this notion that there are people who do the right thing resonates very, very much, especially at this point in particular, as America is at a new crossroads.”ĭocumentary filmmaking has been going through a golden period recently, but even so “Collective” stand apart, she says. Nevertheless, she says, “I feel like ‘Collective’ has managed to be one of those films that has sparked those kinds of conversations in the ether in other ways. haven’t been able to see the nominated films collectively in theaters due to the pandemic, so conversations about them have been more difficult to have. “The intimacy that brought to the characters and the subjects was something I found incredibly compelling.” She adds: “To find this story, and be able to sculpt it so beautifully narratively I find nothing short of miraculous and that’s part of the reason I admire the movie so much.” The fact that Nanau was operating the camera as well as directing added to its strength, she says. So, it really seems to have hit a nerve, and a need.” It also addresses a fear that many have had over the past few years that democracy has been taken for granted, and reminded them it has to be defended, he says.Ĭhristine Vachon, the producer of award-winning films like “Boys Don’t Cry” and “Carol,” has been helping support the film’s awards campaign. So they saw, and two days later a journalist started to investigate how COVID patients were treated, and then journalists started to encourage each other on social media, saying things such as, ‘Yes, we have to do it like the journalists in ‘Collective.’ ’ And miraculously, they brought down the Minister of Health and two days later, they brought down the whole government. The journalists were afraid there because the parliament tried to bring in a law that if they defame the country, they can be busted for it. “There’s a story from Mongolia, for example. “The film resonated around the world with so many people,” he says. ![]() Nanau hopes the film inspires people around the world to fight similar battles to those documented in his film. The film, which competes in the International Feature Film and Documentary Feature categories of the Oscars, and in the Documentary section at the BAFTAs, is distributed by Magnolia Pictures and Participant in the U.S., and by Dogwoof in the U.K.
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